How Dylan Thomas Used Clever Metaphor in His Poem

As a summit will begin to wrinkle over time, so in hu musical compositionitarian will old age and oddment begin to "bend" man. doubting Thomas underscores his allegory formerly more as he declares, "The force that drives the water through the rocks/Drives my red blood" (6-7). tout ensemble around him, the poet sees his similarities to nature.

In this sense, it would seem that the poet is truly one with nature. Indeed, twain are vulnerable to death and decay. Thomas explains that in addition to driving the water, and man's blood, the force also "adries the mouthing streams/Turns mine [blood] to wax" (7-8). The 'force' non only when gives life, but also ends it. The poet understands that "the same mouth sucks" twain at the flowing stream and his own veins. Neither man nor nature can escape the inevitability of death. Thomas echoes this once again in the third stanza, as he declares, "And I am dumb to tell the hanging man/How my dust is made the hangman's lime" (14-15). The poet is inexorably linked to nature because twain are subject to the musical rhythm of life and death.

In the poem's terminal stanza, Thomas drives the metaphor home convincingly as he proclaims, "And I am dumb to tell the lover's tomb/How at my sheet goes the same crooked worm" (21-22). This is a nonher allusion to death, as Thomas evokes an image of decay and rotting flesh. Just as time wears away natural materials, it works to deteriorate man's body. Thomas' metaphor is thus clear

: man's life cycle is vividly represented by time's effects on nature. He suggests that in that respect is no difference between death in the life of a man and death in nature, as life and death are part of the same productive/destructive force.

Thomas, Dylan. "The Force That Through the Green Fuse Drives the Flower." Dylan Thomas: The Poems. London: J.M. Dent, 1971.

However, this does not mean that Antigone does not fit the stupefy of the sad heroine. Indeed, in her refusal to abandon her own desires, she brings great catastrophe upon her and those close to her. Furthermore, her attitude is reminiscent of her father Oedipus, another tragic hero, which seems to cement her place in the pantheon of tragic heroes and heroines. She may not be the most likable of characters, but it is difficult to show her status as a tragic heroine.

Indeed, it would seem that there is much that Antigone could pose done to prevent the play's tragedy from unfolding, which only serves to make Sophocles' work all the more tragic. The events did not have to occur, but they do simply because Antigone refuses to yield. If Antigone had only chosen to look her own happiness and marry Haemon, then she would have prevented the play's tragic ending from occurring. But the satisfaction of her desires is more important to her than happiness. Indeed, Antigone accepts death as her fate. She refuses to take the ea
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