Bikutsi is a medicamental genre from Cameroon, Africa. This unison developed from traditional styles of the Beti or Ewondo people. The word Bikutsi literally means beat the eart. The music is accompanied by a special dance that calls for its participants to stereotype the ground, or earth, with their feet. Bikutsi is metrically characterized by a 6/8 rhythm, and is played at all sorts of Beti Gatherings. This includes: parties, funerals, and weddings.
The recording I listened to was not found on You-tube. However, after doing a search for music of Cameroon The first name I came across was the Cameroonian vocalist Anne-Marie NziƩ. Of course none of the clips were clear enough for me to focus my listen efforts on. So, I reverted to rhapsody. After a little to a greater extent explore I found out she is known as the vocalise of Gold and the Queen Mother of Bikutsi. I listened to a line off an album called Beza Ba Tzo. The track was called Ma lundi.
At first I felt as if I were auditory modality to Island music. I thought I heard steel drums. on that point was an up tempo calypso like beat. There was excessively near kind of percussion instrument beating clipping but it didnt sound like a fixture drum set. I think it was an isolated snare and some kind of pitched bass drum.
The melodies of the singer sounded celebratory and tone like. Perhaps, this was a tenor that everyone is the region new. It was very upbeat and enjoyable.
The form of address track Beza Ba Tzo, sounded the same. Very island like but more interesting melodically. I could hear more of a song form in this listen. There was definitely a chorus line that was offset by multiple spoken/sung verses. I was disappointed that I could not hear any substructure stomping in these recordings.
Nzie, A.M. (2009). Ma Lundi [A.M. Nzie]. On Bela Ba Tzo [CD]. Cameroon: Cameroun
Nzie, A.M. (2009). Bela Ba Tzo [A.M. Nzie]. On Bela Ba Tzo [CD]. Cameroon: CamerounIf you extremity to get a full essay, order it on our website: Orderessay
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