In the late 1800s, women were treated as second class citizens or slaves. They were defined legally and socially by their male counterparts, be it father, brother or husband. Women of this time were considered property, owned by men, and denied primal rights. A dictatorial patriarchy oppressed and silenced women, exposition them incapable of meaningful life independent of a man. Thus, women have, and persist to, struggle against a male dominated society for their send off and exponent. In The Yellow Wallpaper, by Charlotte Gilman, common sense, scientific rational and patriarchal logic are privileged everyplace womans instinct, intuition and self-understanding, which becomes an issue of occasion. Through literary devices, and symbolism, Gilman challenges masculine power and demonstrates that a womanly mind, with no self-identity or means of self-expression, has no defense but to escape to its inner sanctum: maidenly power through insanity.
The use of specific literary devices in the text adds a layer of narrative which further demonstrates the power struggle between the narrator and her husband fanny. At the beginning of the text, an anaphora is used which shows that the narrator has hope for liberation and does not believe she is necessarily trapped by her husbands masculine power.
tin can is the stereotypical man whom is practical and privileges logic and science, therefore centring him as the patriarchal problem, John laughs at me ..., John is practical ..., John is a physician... (Gilman 139). The narrator then decentres this dominant ideology by creating doubt in Johns abilities, and
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perhaps ... perhaps that is one causal agent I do not get well red-hot (139). She undercuts her husband by questioning his intelligence and competence as a physician. She then recentres and transforms the ideology, privileging her own instinct and intuition, Personally, I differ with their ideas, Personally, I believe that...If you want to get a rise essay, order it on our website: Orderessay
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