Except for Wang, Heyst's servant, most of the other characters in the novel manufacture the very much hostile, evil forces of life that might make a man like Heyst, who possesses morals, want to isolate himself to a far land where "His nearest neighbor?was an indolent volcano" (Conrad 2003, 4). in that respect is Schomberg and his wife who try to set Heyst up as the victi
The characters in the novel are touch in a number of intrigues and a number of game twists occur to keep drama, adventure, and tension at a peak. This in addition serves to keep Heyst from understanding who is loyal to him and who is not. Lena is sexually assaulted by Ricardo. Mr. Jones feels betrayed when Heyst tells him some Lena. Heyst tells Ricardo and Mr. Jones that Wang may be dangerous. Lena pretends to love Ricardo in order to friend Heyst. When Mr. Jones and Heyst finally discover Ricardo and Lena, Mr. Jones shoots at Ricardo but barely hits him. He does, but, mortally wound Lena. Lena will die in Heyst's blazon but not before she dies with a " success" smile. This victory smile is the victory of the title.
It is meant to symbolize that, even though the world is often corrupt and hostile, an individual who can reach out and have faith in others achieves some measure of victory, however small. Heyst's final words are illustrative of this point: " distress to the man whose heart has not learned while youngish to hope, to love and to put his trust in life!" (Victory 2003, 4).
Panichas, G. A. chaste Warfare in Joseph Conrad's Victory. Modern Age, 41(3), 204-251. Summer, 1999.
"Upon my word," [Heyst] said before they separated, "I don't even know your name."
"Joseph Conrad." Arts & Entertainment: World Literature, 11-12. 2002.
moreover the love of Lena and his unlikely love for her in return show up to Heyst his life of isolation may have been lived by delusive rules, which is to say not lived at all. While Heyst will come discover the only thing of value in an often corrupt and hostile environment is faith, especially faith in others, he learns so late in life. He learns it by and by Lena sacrifices herself to prove her love for him and just before immolating himself in a fire meant as both of their funeral pyres. As Panichas (1999) points out, the major move probed by Conrad in Victory is: "Can a man of moral sensitivity function in a corrupt an
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