In a similar manner, Paul's mothers' obsession with philistinism and money leaves zip left of Paul after he rides his rocking-horse in a frenzied manner to win her money. standardized the boys in "The Destructors," Paul is raised in an environment where nothing but money is held up as a virtue. This counselling on money is always present and helps to repose the natural tendencies in Paul toward love and family. As we argon told, this instruction is a palpable presence in Paul's environment, "There essential be more money?Yet nobody incessantly said it aloud. The whisper was everywhere, and therefore no one rundle of it. Just as no one ever says: ?We are breathing!' In spite of the fact that breath is coming and going all the time" (Lawrence 37).
Like the war-torn environment that offers no love or beauty to the children in "The Destructors," so Paul's environment and his mother's materialism offer him
unforesightful love or beauty on a human level. Paul's mother continually complains she is un roaring, which makes Paul think he might be able to prove her to be lucky by winning her money. He eventually will destroy himself trying to appease his mother's insatiable appetite for money.
Because his mother is soften to human emotion, Paul will be destroyed in his single-minded enterprise of winning her more and more money. We are told of his mother's incapacity for human emotion, "When her children were present, she always felt the centre of her shopping centre go hard. This troubled her, and in her manner she was all the more gentle and anxious for her children, as if she loved them very much. besides she herself knew that at the centre of her heart was a hard little place that could not feel love, no, not for anybody" (Lawrence 37). Paul is too young to understand this is not his fault.
Greene, whole wheat flour. "The Destructors." In Stratford, P., Ed. The Portable Graham Greene. New York, Viking, 1994, 382-395.
Lawrence, David. H. "The Rocking-Horse Winner." In Barrett, G. R. and Erskine, T. L., Eds. From Fiction to Film. California, Dickenson Publishing Co., 1974, 36-50.
In conclusion, it is right away apparent that in both
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