The illusionistic representation of the three dimensional form on the one-dimensional space provides the type to Dali's The Persistence of Memory. The landscape provides us mass and volume. The form conveys volume within the depiction from the ocean, while the view of Cape Creseus' craggy rocks jutting out with the background supply mass. The form with the carcass provides it with dimensions of each mass and volume, as it is rolled up rather than being just two-sided. The use of these various forms helps convey the mixture of the logical and illogical that comprises the subconscious mind.
The use of space is uneven from the painting. Dali provides us with flat nation masses, a uniform even swatch of ocean, jutting mountains, a linear tree, melted clocks, along with a rolled carcass to define space above, below, and within the objects. The content is minimal in nature and also the arrangement of space shows the largely black areas between, below, and within the objects, to mirror the always blank aspects of getting in connection with others or even one's individual unconscious mind. Dali uses the region masses and tree as well as the border with the ocean in a linear perspective that provides depth and distance to the otherwise flat space of the canvas. Overlapping can be used inside portrayal from the clocks to denote space, as well as the overlap within the unconscious mind between time and space.
Ersistence of Time is quite smooth. Dali doesn't use thick computer software of paint or other textural features to draw attention towards the paint or his technique. Instead, he paints a pretty flat texture onto the canvas that seems uniform and seamless. Despite this near absence of texture, in his contents in the work Dali provides the appearance of texture via shape, line, and form. In this manner, he is conveying the overall uniform or smooth character in the whole unconscious mind, despite the many layered textures within it.
Color is used by Dali to beneficial effect inside the Persistence of Memory to demonstrate the several moods and feelings associated of the unconscious mind. Color stands out from all the other formal items of art model for its power to evoke emotion. The monstrous fleshy creature from the appropriate foreground is colored in light shades that supply significance contrast against the murky brown tones of the ocean on which it lies. Like those that often lurk during the murky dark waters of our subconscious mind, Dali uses color to evoke a monstrous entity. In the background, the practically blinding white tones on the horizon are used, perhaps, to convey the capacity for illumination or understanding in the unconscious mind, but the background is far away and obstacles like time, nature, and monstrous notions block our path to greater unders